Powered by noodles, beer and pastéis de nata, the OnEuropeans reported back from the Altice Arena for a fourth day. The last nine semi-final acts took to the stage today. We had ‘real rock’, flames-aplenty and more neon tubes than you’ll find in a small branch of B&Q. All in all, it was ‘very Eurovision’. Here’s how the Lads in Lisbon saw things.
| Song | Artist(s) | Pts | Psn |
|---|---|---|---|
| Hazavágyom | Leander Kills | 38 | |
| Help me out of here | Petruska | 40 | Q |
| Run baby run | Monyo Project | 35 | |
| Holnap | Bogi Nagy | 41 | Q |
| Barát | Salvus | 36 | |
| Forró | Ruby Harlem | 40 | Q |
| Az én apám | Joci Pápai | 41 | Q |
| Maradj még | Kyra | 28 | |
| Posztolj | USNK | 35 | q |
| Egyszer | Mocsok 1 Kölykök | 39 | Q |
Day 4 summary(and apologies if I keep repeating myself):
Georgia – lovely song, lovely vocals but it gets lost amount the noise going around it.
Poland – Somehow the staging doesn’t match the song. And the whole DJ thing is not working.
Nazis reference number 3..pffff
Malta – Some thinks the staging is just fabulous and help the songs. Other think quite the opposite. It’s all depend whose opinion mater to you.
Hungary – Noisy, very noisy, but has great movement and staging that fit the song.
Latvia – She is great, the song not so much.
Sweden – Copy of MF. Slik and boring. Very Swedish.
Montenegro – Balkan ballad by inches. Odd choice of Fashion.
Slovenia – A stop in the middle of he song is never a good thing. It ruins the structure and ruin your chances.
Ukraine – The Eurovision Horror Picture show. A strange staging which has nothing to do with the song.
That’s all folks 🙂