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Serbia will be back on the Eurovision stage in 2026, with broadcaster RTS confirming its participation and renewing its commitment to the national final format Pesma za Evroviziju (“Song for Eurovision”). The decision comes after a disappointing year in which Serbia failed to qualify for the Eurovision final in 2025.
Pesma za Evroviziju to Continue
RTS has confirmed that Pesma za Evroviziju will once again serve as the mechanism for selecting the Serbian entry. The format, introduced in 2022, has become a staple of the country’s Eurovision strategy, combining public televoting and jury evaluation to determine the winner.
Although the general structure is expected to remain intact, specific details—such as the number of semi-finals, voting mechanics, and eligibility criteria for songwriters—have not yet been announced.
Shake-up Behind the Scenes
One major change heading into 2026 is the departure of Olivera Kovačević, the longtime editor of special programming at RTS who had overseen Pesma za Evroviziju. Her removal has raised questions about how the broadcaster intends to refresh its approach.
RTS has not yet named her successor, but industry observers suggest the change could herald a shift in artistic direction, especially following criticism of Serbia’s underwhelming showing in 2025.
Looking to Bounce Back
Serbia’s 2025 entry, “Mila” performed by Princ, failed to reach the grand final, prompting soul-searching among fans and commentators. With Austria preparing to host Eurovision 2026 in Vienna, RTS is under pressure to stage a stronger campaign and regain Serbia’s place as a regular finalist.
While no official strategy has been outlined, observers expect the broadcaster to cast a wide net in search of entries capable of appealing to both juries and televoters across Europe. The upcoming announcement of submission rules will be closely watched for signs of any shift in priorities.
What Comes Next
RTS is expected to release full details of Pesma za Evroviziju 2026 later this autumn, including deadlines for song submissions and the structure of the televised shows.
